Three of my Stories Now Live on Great Jones Street

Three of my Stories Now Live on Great Jones Street

0_rbpmhrxiebqaksyz

ctigr0yvmaaz1aq

cti5xvavyaabm4n

I just wanted to announce that I’ve published three short stories in Great Jones Street.  Two are brand new, and one is a reprint of my “classic” story “Solitude City,” originally published in Kenyon Review.

A preview of the brand-new piece “Preludes” (you can read the rest in the app if you’re an iOS user…GJS is like the Netflix of short fiction):

Her father had purchased bottles of champagne raised from the Titanic. Her boyfriend didn’t believe it either, so she spread the newspaper across the table and read him the article. The prices were unprintable, apparently, with the auction house receiving a record commission. “Could you still drink it?” her boyfriend asked. His name was Kyle. For breakfast, he was eating dried cranberries and almonds from a Ziploc bag. This would be his lunch as well. He was a jazz trumpeter, had a gig that evening, and the mix was supposed to help him store energy.

“I’m not sure why the headline says he’s a ‘Korean-born electronics tycoon.’ He’s lived in America most of his life,” she said. “Apparently, they built champagne fingers for the diving robot and it slowly carried the ‘bubbling liquid gold’—their words—to the surface. James Cameron has one bottle and the rest are up for sale. Were.”

“James Cameron probably drank it from a funnel. And filmed it,” he said.
She’d met James Cameron and he would do no such thing. But really, who knew? Her father was older than ever now and had an impatience for indulgence, as if building a global electronics empire were merely a prelude to something greater, some impossible new task he had less and less time to complete. Salvaged champagne? He didn’t like the ocean because he couldn’t control it, and he hated France. Even during his pre-spartan phase, he rarely drank. She wondered aloud: was this purchase a publicity stunt? An investment? A cryptic message to his newly estranged daughter?

Barrelhousing Again!

Barrelhousing Again!

ccc

I’m making yet another triumphant return to Pittsburgh on Saturday, October 22–I’ve  been invited to Barrelhouse’s 2016 Conversations and Connections Conference, and I’ll be on a panel about revision with Uzodinma Okehi and Brad Windhauser.

I gave a craft talk at the same conference last year about “going the distance,” and I was genuinely impressed by the lively and engaged audience.  It was a blast, and I can’t recommend this conference enough.  Hope to see you there!

Great Jones Street

Great Jones Street

I’m proud to announce that I have three (!) stories forthcoming at Great Jones Street.  Great Jones Street is more than a literary journal…I’ll let founder Kelly Abbott explain:

We want to popularize the short story. We want to bring new stories and new Writers to new Readers. There are literary journals. There are genre rags. And “serious” readers of each will seek them out. There are gems in both. As curators we know how to find them and bring them to a brand new, uninitiated audience…

Our subscribers get once-a-week introductions to proper indie artists whose craftwork is top shelf. Never a boring story. Never a pulled punch. Never run-of-the-mill. If it’s highbrow, then it better be high-caliber. We find gems you won’t or can’t and we publish them here… And in doing so, we bring the hottest writers working today (tomorrow’s Pulitzer-winners)”

Basically, they’re like the Spotify of literary fiction.  They have an app out already for the iPhone, and they already have hundreds of stories (many of them exclusive) in their archives.  As a writer, I should also say that GJS pays its contributors well, and that makes a huge difference in my ability to pay my bills and in the quality of work they’re able to publish.  I can’t tell you how honored I am to be published there alongside writers like my mentors (Geeta Kothari), the woman who wrote the textbook I’m using in two of my classes (Janet Burroway), and writers I read as a kid (Saki).

My stories aren’t up yet, but if you want to see what they’re all about, I’d recommend this GJS piece by Sarah Harris Wallman.  It’s absolutely blistering (the opening is basically a long literary trigger warning), but if you can get past the subject matter, there’s another layer beneath that’s imbued with enough magic and humor to carry you to the end.

Crossroads of America

Crossroads of America

13416918_10209537646216328_4516307863145308999_o.jpg

“The shade is ample, the grass is good, the sky a glorious fall violet; the apple trees are heavy and red, the roads are calm and empty; corn has sifted from the chains of tractored wagons to speckle the streets with gold and with the russet fragments of the cob, and a man would be a fool who wanted, blessed with this, to live anywhere else in the world.”

– William Gass

I announced this back in May, but I just started my first day of work as Visiting Assistant Professor at DePauw University. My colleagues are wonderful–warm, friendly, and helpful–and I’ve been genuinely impressed by the students I’ve met. It’s going to be a good year, I can feel it.

New Post up at Thought Catalog: “10 Essential Contemporary Books By Asian-American Writers”

New Post up at Thought Catalog: “10 Essential Contemporary Books By Asian-American Writers”

Well, “contemporary” is stretching it with The Woman Warrior, but I’m pretty proud of this list.  Here were my rules:

*Short and sweet: the list had to include exactly ten books.

*No preaching to the choir: the list should be geared towards people who don’t usually read books by Asian-American authors.

*I had to actually have read the books I’m recommending.

untitled